The Eurocine Art Project expands yet again. First it was just about Constantin Belinsky, then... good old Eurocine poster art that sucked me in. Now, want lists! If only this concept of feeding my family did not apply, I'd love to do up nice special edition DVDs of several titles that aren't available right now-and many of them are available through Eurocine! This first entry is a film I have yet to see, but looks very interesting. Apparently it is a flick with prostitutes and missing microfilm. Hey, with Pierre Chevalier at the helm and stars like Evelyne Scott, Alice Arno and Pamela Stanford it is a must see. And I've never seen it offered anyplace! So, number one with a bullet from my Eurocine Want List is PIGALLE, Carrefour des Illusions! DVD companies take note. I will buy ONE (1) copy! That is a sale for ya!
Pigalle, Carrefour des Illusions / La Ragazza di Pigalle / Pigalle, Crossways Of Illusion
1971 Celia Films/Eurocine
Directed by Pierre Chevalier
Music by Daniel White
Starring Evelyne Scott, Jean Michel-Dhermay, Beatrice Costantini , Alice Arno, Daniel White, Chantal Broquet and Pamela Stanford
EUROCINE SALES PAGE
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5 comments:
I think there's a reference to this in IMMORAL TALES, that intrigued me. Great pics, Dave--and I hope we get that disc some day!
Scenes from this may or may not be in Chevalier's Eurocine composite THE HOUSE OF THE LOST DOLLS (credited to Peter Knight). Great, sleazy artwork! Thanks.
I'll take a look at HOLD, I do know that this film has stock stuff from Paris Inconnu (another Eurocine film I have not seen). I guess that features lots of stripping and several of those are recycled here.
I wonder if the rights to many of these Eurocine films are actually available. They list Shining Sex-and I sure would love that.
Actually, the cover for PIGALLE is a lot better than the film itself... It's a pretty standard sleaze flick from Eurociné which is damaged by the use of a lot mof boring PG nightclub footage from what I think mayb be Eurocinés 1950/60s output. Still worth seeing for the lamest shoot-outin film history and the fact that you just want - nay, need!- to see them all.
Is there footage from this in HOLD or CRIMSON?
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